Bai chapter on, Tao nalahoTU na so adodan ditangkok tu hatsaran ni jolma. So dilihat, so didenghon, so diparrohon. Alai adongdo dohot so manjadi hasea. Sada do i, so adodan tu bagasan sada. I ma na robah tu so adodan, so adongdo gunoon, so adongdo roona. Sada rap dohot Tao, sai dapot tu parpodoman na niam
Key Concepts
道
无形
惚恍
古始
Cite This Chapter
Laozi, Tao Te Ching, Chapter 14, "Dilihat dohot So Ado, Didenghon dohot So Ado", laotzu.ai: https://www.laotzu.ai/bts/chapters/14/
Classical Chinese, translation, and AI reflection are shown separately; cite this chapter URL for references.
Dilihat dohot so ado, i dope ditangkok gohi. Didenghon dohot so ado, i dope ditangkok sian. Diparrohon dohot so ado, i dope ditangkok sandiang. Sada do songoni i, so adodan ditangkok muse. Partongahanna so marlas, lak ni ibana so mardokhon. Songoni ro ro, so adodan dib这件. Jadi muse ma i ma gunoon ni gunsok gunsok, nasa-nasa songoni ruar ni so adodan. Dung mulai so adodan, so adongdo partongahan dohot ari. Dipangkepni jalan ni Na saborna, boi marsiap tu na adong di ari on. Boi mangetahi partongona, i dope dohot partongona ni Tao.
Refleksi Balga
Aha isi dohot ni chapter on?
Bai chapter on, Tao nalahoTU na so adodan ditangkok tu hatsaran ni jolma. So dilihat, so didenghon, so diparrohon. Alai adongdo dohot so manjadi hasea. Sada do i, so adodan tu bagasan sada. I ma na robah tu so adodan, so adongdo gunoon, so adongdo roona. Sada rap dohot Tao, sai dapot tu parpodoman na niam
Songon dia hubunganna dohot ahu?
Sai ahu mancangkok halangan tu na so adodan - partondingan, kahenangan, dohot hatopi ni jolma. Tapi chapter on nambangkon kalau Tao adongdo sandiang, sai robi dohot na adong. I ma nambangkon kalau au so薄着于身薄着于身sai di bagasan ni Tao. Tao so薄着于身薄着于身parb浮沉, tapi sai damar dohot tangkas.
Naon na harus kuot hian done ини?
Nationali partondingan nijolma; sai maringot tu na adong sandiang. Mansai be haluar ni anso-anso dohot kahenangan. Sai lao mardalan tu jalan ni Tao - jadi rohang, sai be tangkas, dohot sai di bagasan.
We look at it, and we do not see it, and we name it 'the Equable.' We listen to it, and we do not hear it, and we name it 'the Inaudible.' We try to grasp it, and do not get hold of it, and we name it 'the Subtle.' This is called the Form of the Formless, and the Semblance of the Invisible; this is called the Fleeting and Indeterminable.
AI Modern
Dilihat dohot so ado, i dope ditangkok gohi. Didenghon dohot so ado, i dope ditangkok sian. Diparrohon dohot so ado, i dope ditangkok sandiang. Sada do songoni i, so adodan ditangkok muse. Partongahanna so marlas, lak ni ibana so mardokhon. Songoni ro ro, so adodan dib这件. Jadi muse ma i ma gunoon ni gunsok gunsok, nasa-nasa songoni ruar ni so adodan. Dung mulai so adodan, so adongdo partongahan dohot ari. Dipangkepni jalan ni Na saborna, boi marsiap tu na adong di ari on. Boi mangetahi partongona, i dope dohot partongona ni Tao.
Pamikirku
What does this chapter inspire in you? How will you apply it?
